SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Admiral Duncan"/1) | (@(roleclean,performerclean) "Admiral Duncan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 134 matches on Performance Comments, 26 matches on Event Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory; or, The Defeat of the Dutch Fleet by the Gallant Admiral Duncan on the Memorable Eleventh of October

Dance: In Scene V 3rd piece: a Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Event Comment: See Boswell (Restoration Court Stage, p. 280), who identifies the company as the King's Company. Evelyn, Diary: Saw the Young Admiral acted coram Rege &c

Performances

Mainpiece Title: The Young Admiral

Performances

Mainpiece Title: Hamlet

Afterpiece Title: My Grandmother

Entertainment: Entertainment. End: (In Honour of the Late Glorious Naval Victory [at Camperdown, 11 Oct. 1797]) A Representation of the English and Dutch Fleets-;[, immediately after Engagement; with the striking of the Dutch Colours to the Triumphant British Flag under the command of Admiral Duncan. To conclude with a Display of Fire@works-; [and see17971014] [, and a Full Chorus of Rule Britannia-; God save the King-

Performance Comment: End: (In Honour of the Late Glorious Naval Victory [at Camperdown, 11 Oct. 1797]) A Representation of the English and Dutch Fleets-;[, immediately after Engagement; with the striking of the Dutch Colours to the Triumphant British Flag under the command of Admiral Duncan. To conclude with a Display of Fire@works-; [and see17971014] [, and a Full Chorus of Rule Britannia-; God save the King-.
Event Comment: [Mrs Gibbs was from the Haymarket.] Afterpiece: A Representation of the Defeat of the Dutch Fleet [at Camperdown] by Admiral Duncan, on the Glorious 11th of October [1797; in which Incledon, as a sailor, sang Come, cheer up, my lads, and, with full chorus, Rule Britannia (True Briton, 17 Oct.).] Receipts: #253 18s. 6d. (248.9.6; 5.9.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Midnight Hour

Song: Admiral Benbow-Incledon

Entertainment: Imitations The Beggar-Townsend

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.
Cast
Role: Duncan Actor: Gardner

Afterpiece Title: Thomasand Sally

Event Comment: On Account of the numerous Complaints [etc., exactly as on dl playbill, 16 Sept.] [Mr and Mrs Duncan were from the Chester theatre.] Receipts: #193 10s. 6d. (190.11.6; 2.19.0)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Aickin; Major O'Flaherty-Duncan (1st appearance on this stage); Captain Dudley-Hull; Charles-Farren; Fulmer-Thompson; Stukely-Gardner; Varland-Quick; Louisa-Miss Tweedale; Lady Rusport-Mrs Webb; Lucy-Miss Stuart; Mrs Fulmer-Mrs Davenett; Charlotte Rusport-Mrs Duncan (1st appearance on this stage).

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Sileno-Davies; Pan-Duncan; Damaetas-Rock; Jupiter-Darley; Apollo-Johnstone; Daphne-Mrs Martyr; Mysis-Mrs Webb; Juno-Miss Stuart; Nysa-Mrs Mountain.
Cast
Role: Pan Actor: Duncan

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Performance Comment: Admiral-Mills; King-Walker; Duke-Ryan; Cardinal-Quin; Marguerite-Mrs Horton.
Cast
Role: Admiral Actor: Mills

Song: Turner, Mrs Bowman; The Genius-Turner

Performances

Mainpiece Title: The Fair American

Performance Comment: Admiral Dreadnought-King (1st appearance in that character); Bale-Parsons; Carbine-Suett; Summers-Barrymore; Boreas-Chapman; Col. Mountfort-Palmer; Rachael-Mrs Wrighten; Miss Bale-Miss Wheeler; Miss Kitty Dreadnought-Mrs Hopkins; Mrs Bentley [in subsequent bills called Mrs Wilmot]-Mrs Hedges; Miss Melcomb-Miss Simson; Angelica-Miss Phillips .
Cast
Role: Admiral Dreadnought Actor: King

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan-Berry; Macduff-Havard; Malcolm-Usher; Lennox-Scrase; Hecate-Beard; Macbeth-Mossop; Siward-Bransby; Lady Macduff-Mrs Mills; Lady Macbeth-Mrs Pritchard; Witches-Burton, Blakes, Yates; Donalbain-Vernon; Ross-Davies; Banquo-Ross; Angus-Simson; Vocal parts-Beard, Wilder, Miss Thomas.
Cast
Role: Duncan Actor: Berry

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan-Packer; Malcolm-Palmer Jun. (1st appearance on that stage); Donalbain-Bland; Macbeth-Kemble; Banquo-Bensley; Lenox-Whitfield; Macduff-Wroughton; Rosse-Barrymore; Fleance-Master Gregson; Seward-Fawcett; Seyton-Phillimore; Doctor-Jones; Captain-Benson; Messenger-Banks; Murderer-Webb; Hecate-Bannister; Witches-Aickin, Moody, Burton; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: Duncan Actor: Packer

Afterpiece Title: The Virgin Unmask'd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Performances

Mainpiece Title: At King's Macbeth

Performance Comment: Duncan-Packer; Malcolm-Bland; Donalbain-Master DeCamp; Macbeth-Kemble; Banquo-Bensley; Lenox-Whitfield; Macduff-Wroughton; Rosse-Barrymore; Fleance-Miss Menage; Seward-Fawcett; Seyton-Phillimore; Doctor-Jones; Captain-Benson; Messenger-Banks; Murderer-Webb; Hecate-Bannister; Witches-Aickin, Moody, Burton; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: Duncan Actor: Packer

Afterpiece Title: The Prisoner

Song: The Original Music by Matthew Locke, with full Chorusses, and additional Accompaniments-Bannister, Sedgwick, Dignum, Welsh, Danby, Caulfield, Maddocks Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gaudry, Miss Kirton

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan (King of Scotland)-Aickin; Malcolm-C. Kemble; Donalbain-Fisher; Macbeth-Kemble; Macduff-Barrymore; Banquo-Packer; Rosse-Holland; Fleance-Master Chatterley; Siward-Sparks; Seyton-Trueman; Physician-Maddocks; Captain-Caulfield; Messenger-Evans; Murderers-Wentworth, Webb; Hecate-Sedgwick; Witches-R. Palmer, Wewitzer, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: Duncan Actor: Aickin

Afterpiece Title: My Grandmother

Song: In: Chorus of Witches and Spirits-Sedgwick, Dignum, Miss Leak, Miss DeCamp, Miss Arne, Miss Wentworth

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Bensley; Malcolm-C. Kemble [1st appearance in London]; Donalbain-Master De Camp; Macbeth-Kemble; Banquo-Wroughton; Macduff- Palmer; Lenox-Whitfield; Rosse-Barrymore; Fleance- Master Gregson; Siward-Aickin; Seyton-Benson; Physician-Packer; Officer-Banks; Serjeant-Caulfield; Murderers-Phillimore, Webb; Armed Head- Jones; Bloody Child- Master Harlowe; Crowned Child-Master Chatterley; Hecate-Bannister; Witches-Moody, Dodd, Suett//Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell. Apparitions of Eight Kings; Lords; Ladies; Attendants and Soldiers. Occasional Prologue spoken by Kemble. Occasional Epilogue spoken by Miss Farren . Lords; Ladies; Attendants and Soldiers. Occasional Prologue spoken by Kemble. Occasional Epilogue spoken by Miss Farren .

Afterpiece Title: THE VIRGIN UNMASK'D

Song: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley. Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Bensley; Malcolm-C. Kemble; Donalbain-Master De Camp; Macbeth-Palmer; Banquo-Packer; Macduff-Wroughton; Lenox-Whitfield; Rosse-Barrymore; Fleance-Master Gregson; Siward-Aickin; Sey ton-Benson; Physician-Jones; Hecate-Bannister; Witches-Moody, Dodd, Suett//Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell .

Afterpiece Title: THE PRIZE

Song: Mainpiece: Chorus of Witches and Spirits by Kelly, Master Welsh, Sedgwick, Dignum, Cooke//Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, &c. &c

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Bensley; Malcolm-C. Kemble; Donalbain-Master DeCamp; Macbeth-Kemble; Banquo-Wroughton; Macduff-Palmer; Lenox-Whitfield; Rosse-Barrymore; Fleance-Master Gregson; Siward-Aickin; Seyton-Benson; Physician-Packer; Officer-Banks; Serjeant-Caulfield; Hecate-Bannister; Witches-Moody, Dodd, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.

Afterpiece Title: My Grandmother

Song: The Original Music of Matthew Locke and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, Miss Redhead

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Bensley; Malcolm-C. Kemble; Donalbain-Master DeCamp; Macbeth-Kemble; Banquo-Wroughton; Macduff-Palmer; Lenox-Whitfield; Rosse-Caulfield; Fleance-Master Gregson; Siward-Aickin; Seyton-Benson; Physician-Packer; Officer-Banks; Serjeant-Trueman; Hecate-Bannister; Witches-Moody, Dodd, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.

Afterpiece Title: No Song No Supper

Song: The Original Music of Matthew Locke-; and Accompaniments by Dr Arne and Linley? Sen. Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Aickin; Malcolm-C. Kemble; Donalbain-Master Gregson; Macbeth-Kemble; Banquo-Wroughton; Macduff-Palmer; Lenox-Whitfield; Rosse-Barrymore; Fleance-Master Menage; Siward-Packer; Seyton-Trueman; Physician-Maddocks; Captain-Caulfield; Messenger-Banks; Hecate-Bannister; Witches-R. Palmer, Wewitzer, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.

Afterpiece Title: The Citizen

Song: Mainpiece: Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Aickin; Malcolm-C. Kemble; Donalbain-Master Gregson; Macbeth-Kemble; Banquo-Wroughton; Macduff-Palmer; Lenox-Gibbon; Rosse-Holland; Fleance-Master Menage; Siward-Packer; Seyton-Trueman; Physician-Maddocks; Captain-Caulfield; Messenger-Evans; Hecate-Bannister; Witches-Dowton, Wewitzer, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.

Afterpiece Title: The Adopted Child

Song: Mainpiece: With Original Musick of Matthew Locke-; and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Sedgwick, Dignum, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performances

Mainpiece Title: Jupiter And Juno

Afterpiece Title: Harlequin Happy; or, Jack Spaniard Bit

Entertainment: GGrand Scaramouch Dance-Phillips, others, as he performed it at the Opera House in Paris, upwards of Forty Nights successively, with universal Applause; Scotch Dialogue-Parry, Mrs Phillips; A new Song-Parry in Praise of Admiral Vernon; Sailor Dance-Phillips; A Grand Dance call'd Vertumnus-Phillips

Performances

Mainpiece Title: Ephalus: With The Death Of Procris

Afterpiece Title: Harlequin Restor'd

Dance: DDrunken Peasant-Phillips; Hornpipe-Phillips; The Parting Lovers-Phillips

Song: TThe Maid's Wish-Mrs Phillips; A song by Lampe-Parry in Praise of Admiral Vernon upon his taking Chagre Castle

Performances

Mainpiece Title: The Woman Turn'd Bully; Or, The Lover's Triumph: With The Comical Humours Of squire Noodle And His Man doodle

Afterpiece Title: A Grand Representation of the Taking of Louisburg and Cape Breton by Admiral Boscawen and General Amherst

Performances

Mainpiece Title: A Miscellaneous Act

Afterpiece Title: Victory, an Ode Inscribed to Admiral Keppel; Messiah

Performances

Mainpiece Title: The School Of Shakespeare

Afterpiece Title: The Young Actor

Afterpiece Title: The Flitch of Bacon

Entertainment: Cento, as17810807

Song: End I of 1st piece: Admiral Benbow (in the character of a Sailor)-Bannister; End III: Moderation and Alteration-Edwin

Performances

Mainpiece Title: Kensington Gardens

Afterpiece Title: The Chapter of Accidents

Afterpiece Title: The Hodge Podge

Song: In 1st piece: As17810822; End III 2nd piece: Admiral Benbow, as17810817; In 3rd piece: an Italian Laughing Song-Delpini; Moderation and Alteration, as17810817